I wanted to see what AI could do in terms of writing a song. Here is the prompt and the result. (The first one is AI. The second one is me. It’s probably a tie.)
Prompt: Write a classic rock song about a retiree’s narrow life in a universe that expands infinitely.
Verse 1:
Woke up one morning, feeling so darn old
Got aches in my bones, my story’s been told
Been livin’ life in the slow lane, same old song
Watching the world fly by, feels like I don’t belong
Chorus:
In a universe that’s ever expanding
My life seems so narrow, suffocating
Gotta find a way to break free, to fly
Before my time’s up and the whole world passes by
Verse 2:
I’ve been stuck in this rut for far too long
Wasting my days in a routine floatin’ on
But the universe out there is vast and grand
And life’s too short not to make a stand
Chorus:
Bridge:
I may be getting old, but my spirit’s still young
With the fire in my soul, I can’t be outdone
Gonna take that leap of faith, spread my wings and fly
In the face of a universe that refuses to die
Chorus:
Then I watched Monty Python’s video The Galaxy Song and this happened.
Banging and Crunching
(Since You’ve Been Gone)
Verse:
I’m a 73 year old retiree.
I spend my day primarily making tea (and pee)
Though there’s no one here with whom I converse,
I’m the center of the expanding universe.
We’re a hundred miles apart since that day
Three years ago when you went away, (far away)
Like drinking good cognac,and hiking up a track,
Getting gone takes less time than getting back.(that’s a fact)
Bridge:
The math is undeniable, Sweetheart.
Since you left we’ve drifted far too far apart
Verse:
Einstein’s Relativity cleared the path.
Hubble marked the signposts in his math. (so much math)
It’s not that everything flies away.
It’s the space itself expanding every way.
From right to left to up to down to back
You are speeding out away into the black.
From my front to to your front, however, dear,
A red shift is apparent, seen from here. (It’s clear.)
Bridge:
My only hope is to see the start of the Big Crunch
In a 100 million years or so we can shout and wave a bunch
Verse:
I’ve done some calculations on the cuff (off the cuff!)
To see if this distance is enough
At 42 miles a second per megaparsec,
And under this much gravity—double check— (what the heck)
The father away, the faster you recede
The longer gone, the greater is your speed.
Like raisins in the rising raisin dough,
We’re sitting still all while we’re on the go. (Sooooooooo)
Bridge:
I’m rooting for the Big Crunch I’ll wait right here for you
And in a billion years or so, you’ll be right here with me too.
Until the Big Crunch I’ll wait right here for you
And in a billion years or so, you’ll be right here with me too.
(90)
Tag Archives: writing
Chronic Pain
When you wake
It is sitting on the edge of your bed,
Waiting to be put on
Like a new suit of clothes.
It is too small.
It chafes at your neck
And pinches at your waist.
It shrink wraps itself
To your joints,
Stiffening your gate,
Chaining your hands and feet,
Wrists and ankles
Knees and elbows.
It has enough electrical charge
To freeze an appendage
And force the involuntary utterances:
Oh,
Ow,
God damn, for example.
It is small like electrons
Racing up neural pathways to the brain,
Always leaving damage in the synovial joints.
It is as wide as the sky
Filled with tumbling lightning,
Rolling and rolling through tangles of nerves.
It travels with you
To the bathroom.
Will your knees get you there in time?
Will your arms reach yourself
In the bath?
Will fingers hold out long enough
To rinse your hair?
To trim your beard?
To hold your toothbrush?
The warm water helps.
Eventually you must negotiate
The cold.
You towel off where you can reach,
Contort into real world clothes.
Begin your day.
But one day you cannot sustain the defenses.
You let it pierce you
And you cry and stamp your feet
Like a six year old
Who keeps wetting the bed
And who wants his mama
To make it stop,
Only Mama is dead
And the pain doesn’t care.
It throbs with your pulse
In bones
And joints
And synovial tissues.
It pierces
Then overfloods.
It seeps out of your bones
And it flies in your hair
And sets your scalp on fire.
Your knees ache
But your shoulder pain is sharp.
Your elbow locks
When raw bones clash
Like broken gears in a broken clock.
Your hip grates,
Grinding something down
That bleeds and erodes.
And you gnash teeth,
Gird loins
and you ignore it
And ignore it
And ignore it.
But eventually you understand:
It is not your pain.
You do not own it;
It owns you.
You are its reason for being.
It is your possessive lover
And it hurts you where no other may touch.
It is intimate
When it electrifies your nerve gardens.
Its fingers pry and dig.
It seeps salty vinegar into open wounds.
So you and your lover
Face your day with new understandings.
It is a jealous lover
And you dread meeting new people
With firm handshakes.
You give up any intimacy with tools.
Hammers may as well be cattle prods.
Rakes and shovels become abstracts
Hanging on your garage wall.
Even books are too heavy for your wrists.
Instead you begin a new study of drugs.
Your days get measured out in pills:
The morning pills, not coffee.
The afternoon pills, not lunch,
Maybe some weed.
The evening pills.
And you offer more changes for your lover:
You drink less
Or you drink more,
Some drink a lot more.
Each day is measured in organ capacity.
Will too many pills kill your kidneys?
Some days you root for liver failure.
You begin to understand the Oxy crisis.
Finally, it is bedtime.
Your lover crawls in with you
Wrapping you up in
Child-sized flannel pajamas
On flannel sheets.
They grip in your crotch,
Pinch in your groin,
Squeeze your chest
And armpits.
Lying still hurts.
Turning over hurts.
No pillow fits your neck.
No quilt lies easy.
You curl, feeling close to Heaven,
Still outside the gates.
You lie there a long time.
Eventually gray light seeps through the window.
You see the figure on the side of the bed.
[87]
March of the Haiku
This spate of haikus comes from a prompt offered from the FaceBook page of friend and bard, Terry Wooten. That’s him in the photo performing at his unique venue, Stone Circle. He wrote:
Bi-polar April.
Peepers singing in snowflakes.
Change lawn mower oil.
(April 18, 2022)
I shared his poem on my FaceBook page with the following comment: “It is a nearly perfect example of the the American Haiku: 5-7-5, presents something funny and/or surprising, it contains nature and makes a comment on humanness. It goes above and beyond by banging two things together that don’t belong together (twice!!) for a little “contrapposto.” I took it as a challenge to write my own April poem. I thought I could take inspiration and match his genius. Not today! I’ll keep trying.”
The rest of the day I continued to put out haiku and some are better than others. I’m not certain any rose to Terry’s level above.
Oh no! I just drank
six gay beers and I liked it.
Please don’t tell my wife.
[68]
Heart doctor gave me
(prostate the size of a peach)
Mass diuretics.
[69]
What makes a haiku?
In America, mostly
Humor and surprise.
[70]
Ski masks make baseball
Look like bank robbing–
Another stolen base.
[71]
It’s hard to see things
If you don’t do anything.
Bad haiku! Bad ‘ku!
[72]
When the sun peeks through
on a snowy April day,
don’t believe the lie.
[73]
A Fox News headline
Is a lie that might happen
In Bizarroland.
[74]
Matter/energy
Cannot be made or destroyed.
Where’d the ice cream go?
[75]
What a Ride: A Proposal
Looks like we might have made it to the finish line.
At least we could walk it from here.
Well, you could. I have some doubts.
And it wasn’t like it was a smooth ride.
Lots of couples hit some bumps in the road,
But we skidded out more than once,
Saw the ditches way too close
When I was driving a while ago,
And I know we caught air this last time.
You were driving.
But I think I can see the route ahead
And now that we know we don’t speak the same language,
But we think we’re heading the same way,
I’ll try to navigate if you’ll do the steering.
Deal?
[44]
Admonition
My elders were very poor teachers,
Or I was a piss-poor student.
So much about aging was left unsaid
Or unheard:
That pain is ugly
But it’s only pain.
That your heart will heal
But it might be a little crooked afterwards.
That the injuries from the Spring of youth
Return in the Winter.
That you can weep when one who cares
moves on—
And still wish them every goodness.
They also didn’t mention that
Mentors grow in age,
That gardens aren’t about vegetables,
That owning a dog isn’t about owning.
And shame on them for not telling
How an old heart can swell,
not just with edema,
But from the full panoramic view of life
As it plays out on the faces of children
And then the Elfin magic of grandchildren.
I’m writing this down today
So no one else forgets to say
Or hear.
[43]
Review: The Last Chairlift
John Irving announced The Last Chairlift would be his final novel before it hit the shelves. (I mean, he’s 80.) After reading it, I think it is fitting. Before I read this novel, I claimed John Irving as my second favorite fiction author (There is no better storyteller than James Lee Burke.) And that my favorite Irving novels, in order, were: 1. Hotel New Hampshire, 2. The World According to Garp, 3. A Prayer for Owen Meany. Each of those novels is a first person, autobiographical novel about the life of a literary man (writers/English teachers) who used to live in New England but who now lives in Toronto and/or Europe, and so is Chairlift. Each of those other stories is a kind of coming of age tale and relate their powerful themes inside that kind of structure. Chairlift does too, except the age Chairlift comes to is 80. I happened to be in my 73rd year as I read it and I appreciated both when his recollection of the history of the last 80 years matched my own and when his fervor of all kinds was familiar inside my own experiences. In other words, that old guy tells a story appreciated by another old guy.
The way this guy uses language is a joy. It is intelligent but not overly erudite. It is full of lofty ideas but not snooty. John Irving’s voice is among the most American in the world. And the treatment of pronouns (and the plot driven necessity to handle pronouns) is delightful. I’d love to insert an example here, but it would be too big a spoiler. If you have ever had an argument with anyone over he/she/they, read this novel.
Now, your homework: You will want a working understanding of another fat tome—Moby-Dick. (Also a first person narrative novel.) If you’ve never read it and you want to hurry through Melville, I have a good cheat where you can get away with reading only 35 chapters and ignore all those “interstitial” chapters. For extra credit, it wouldn’t hurt to have read “Bartleby, the Scrivener.” Also, if you would like to appreciate just how autobiographical this novel is, check out Irving’s Wikipedia page at https://en.wikipedia.org/wiki/John_Irving I promise it will make you happy if you are a word-geek.
Let me tell you a couple of things I didn’t like:
I did not like the appearance of long segments of screenplay inserted into the text. I don’t buy plays of any kind. I hate the artificiality of what feels like “telling me a movie.” Movies are for watching, not reading. Irving tries to justify using the form the first time because, he claims, it is more powerful for its immediateness, being written as it is in present tense. The ceaseless voice-overs become necessary when Irving doesn’t allow himself one of his best tools–his narrative voice. If, as Irving asserts, present tense is the best way to tell a part of the story, why not just tell the reader that and proceed with 1st person, present tense? I would find that irritating too but I’d forgive it quicker than the THREE long screenplay sequences. As an aside, I am sure Irving plans for this to be a big movie and those scenes are already done. They are key scenes too. But I generally prefer novels to movies. I always appreciate novelists more than screenplay writers. PS, It also bothered me–lower case “b”– each time he mentions winning an Oscar for a screenplay.
And I did not like the 888 page length. The first 100 pages become this necessary slog to get all the different characters down without much plot advancement (and Irving novels are 19th Century monuments to plot). But as always with Irving, pay attention to everyone and every event in the beginning because you know they will come back to (ahem) haunt you. And the last 100 pages are necessary to tie up ten thousand loose ends. And, as I said above, THREE movie segments. Forgive me some math. The book is 888 pages. The three segments, Chapters 30, 45 and 49 add up to 228 pages. The list price of this fat tome is $38.00. That means I spent $9.76 on a screenplay. That’s more than the last 25 years!
The novel is a beautiful (if too long) amalgam of those other three stories. We have lesbians who are mute, a big sample of the spectrum of human sexuality, Vietnam, Regan and AIDS, humans of very small stature, death and death, plenty of dark humor, wrestling, teaching in high school and college, lots of talk of writers, between writers, about writing, and best of all, that Irving irreverent political commentary. If you liked Garp, you’ll see something familiar in this writer’s life and his relationship with his mother. If you liked Owen, you will see other little people here. If you liked Hotel you’ll love the haunted hotel in this story.
Oh, did I mention it’s a ghost story?
[32]
How Did You Get Your First Job?
The short answer is the typical one. Privilege. Smith’s Men’s Wear had been a fixture on the first block of South Cochran in Charlotte since 1934. (Smith’s is on the right end of stores in the picture above.) They had always had a part-time position for a high school boy. The job was not exciting, but it was public. Sweep the floors, sweep/shovel the sidewalk in front of the store, wash the windows once a week, constantly polish the glass display cases, break down boxes, empty the trash. But once in a while, if all that other stuff was done and everyone else was with a customer, I got to work on the sales floor.
For several years, Smith’s had hired the high school “Mayor.” The Mayor was the equivalent of President of the Student Council. That was the job I had coveted since the eighth grade. I didn’t know it came with a cash-paying job too. But it did.
The election took place in the late spring. That should be a story of its own. I won. The guy who had the jobs (Smith’s and Mayor) before me was Val Nelson. He got ready to go off to college and he was the one who told me to go in and talk to Mr. Smith. I did and I was hired.
It paid 90 cents an hour. That was minimum wage in 1967. Actually, it wasn’t minimum wage. It was the minimum they were allowed to pay to hire a minor for less than 20 hours a week. Since I was working an hour and a half each day after school, four hours on Friday night and 8 hours on Saturday for a weekly total of 18 hours, I met the standards to pay a sub-minimum wage. I also got a 20% discount on anything in the store. That was the whole package.
I liked working there. Mr. Harold Smith (always Mr.), Dick Cooper, and Russ Last name I can’t recall (maybe Barnhart or Bernard, can’t recall) were the staff. Later, they would add a woman, Chris (Crystal) Taylor who brought a certain talent in dealing with women customers that the men didn’t seem to have. Every person on the sales floor could sell anything in the store except suits. Suits were sold by the men. I suspect there was a commission on suit sales for everyone but me and they didn’t trust the big sales to a kid.
I had a knack I discovered early. It was a narrow niche but no one on the floor could sell more men’s underwear to older women than me. We even had a contest one weekend. Starting Friday afternoon when I came in until we closed the store at 5 pm Saturday, I sold more underwear than everyone else in the store combined! I cannot explain this talent, but women, especially older women, displayed a moment when they were buying a present that seemed to say “but what else?” My immediate answer was underwear. And they almost always they said yes. We are a collection of weird talents. It got to the point that anyone handling an older woman customer always finished up by handing them off to me to ring them up and add some boxer shorts to her order.
I wish I could say I held that job through my Senior year of high school, that I passed it off to the next Mayor the following summer as I got ready to go to college. It didn’t work out that way. Instead I quit Smith’s to go to work across the street at some chain discount store. There I became a union member for the first time (much to the chagrin of my Dad) and made $1.40 an hour (the actual minimum wage). But I never felt a “part” of something at work again until I started teaching at Ithaca High School, eight years later.
[3]
What was your dad like when you were a kid?
Harold Edwin Marsh was a victim of the Korean War. I don’t use that term lightly. He clearly suffered from PTSD his whole life and spent huge amounts of energy trying to disguise that fact from anyone who suspected. Those of us closest to him didn’t suspect because to do so would have been a kind of betrayal. And you didn’t admit a thing like that in those days because it went directly to the core of manliness.
My mother probably could see it better than any of us. She, of course, knew him before he headed to Korea and when he got home. But the unspoken rule of not mentioning it, ever, was followed by all of us. By today’s standards of mental health, that was an absurd behavior. But it was how it was done at the time. There was too much shame associated with it. It has a lot to do with why the 50s were so idealized. It was never real.
I could see the cracks later. I was two weeks old and living with both parents in Kansas City, Missouri where Dad was going to watchmaker’s school in preparation for working in his parents’ jewelry store in Flushing, Michigan. He had joined the Marine Corps as soon as he was old enough, in 1947, but missed WWII. So, in Kansas City he joined a Reserve unit (he said often it was for the fellowship and camaraderie) to earn a few extra bucks a month and when the Korean War (Police Action) broke out, his unit was activated. Poof! Dad was gone and my mother and I found ourselves living with her parents on Hall Street, in Charlotte, Michigan. I didn’t know then it was an ironic homecoming, as one of the greatest motivating factors for my mother to marry my father less than a week after high school graduation was to get away from her abusive father.
In Korea, Dad was injured by a piece of shrapnel from an explosion while he was trying to repair a communications line 60 feet up a pole. Only once he described how, when the explosion went off he was suddenly stone deaf. He leaped down to the branches of a nearby tree, swung to ground and found cover from the Korean artillery assault. He carried that shrapnel the rest of his life. He never viewed his injury as worthy of the purple heart he earned because he didn’t have to stay in a hospital. A half a day in the battalion first aid station was enough to patch him up and send him back to his unit. He told me once, years later when I had joined the Marines, that he changed his mind about the medal when a young Lieutenant received one for slicing his thumb on a beer can. Hey, blood is blood.
He finished his tour and came home to his young, beautiful wife with his two-year-old son and tried to resume a normal 1952 existence. He tried to enroll in some courses at Michigan State University but it took only several days for the Korean War vet to learn that the aesthetics of an academic life was too effete for the man who had lived in the mud and ice and snow of Korea and who had out-marched the Chinese army one night to survive a trap. That is probably where his disdain for higher education blossomed.
I think my father sincerely tried to become the stereotypical 1950s father, head of the stereotypical 1950s family. But he was star-crossed often.
With higher education out of the picture and trade school hopes gone, he settled down in Charlotte trying to get on with the business of raising a family. He took a job as a “puller” in an aluminum extrusion plant. It was a mindless job. Later he got a promotion to “sawman.” Between the artillery in Korea and the high, constant whine in the metal saw shop, his hearing was shot before he was 30. But the American Dream persisted.
We lived, for a while, in a second story apartment on Cochran. I have no particular memories or images from inside that apartment, but I do have a recollection of the long porch-like structure on the second floor. It makes no sense to me now, why the building was built that way, but there it was. It is torn down now, like so much of my childhood. My mother, my father and I were walking down that porch one day, headed somewhere important because we were dressed up. Maybe it is because I was told this story by my mother enough (never by my father) but I think I recall a moment when Dad was there and suddenly he was not. A car backfired or some other loud sharp noise reached Dad and he just leaped over the pony wall that ran along the side of the porch. He jumped into the tree that grew there and disappeared. Mom and I hurried down the stairs and found him below, just fine, acting like nothing happened. Again, we didn’t talk about that much over the years.
We moved into our first house (a rental) sometime in 1953. My sister Crystal was born while we lived there. I think Mom was convinced that would be her life: lower middle class, two kids, stay-at-home mom (like all moms were). When Karla came along in 1954, my mother was not pleased. She blamed my father in front of others for that pregnancy. I think he took some kind of pride in having “tricked” her into a larger family.
I remember many things from our time on Munson Street (it was literally on the wrong side of town exactly next to the railroad tracks). Some memories are very sweet. Some are traumatic.
I remember a fishing trip to Duck Lake when I was five. We left before dawn. We found a giant bullfrog that morning and Dad dispatched it with the butt of a cane pole. We put it in the trunk of the car while we fished (and caught nothing). When we came home, we discovered the frog had regained consciousness and Dad had to kill it again. Then we ate frog legs. They really do jump in the skillet!
I remember Dad teaching me how to use a hammer. He often bought a half pound of roofing nails and I was permitted to pound them into an old stump we had in our triangular shaped back yard (the railroad tracks cut the corner off). By the time we moved from there in 1957, I had pretty much galvanized that stump. Mostly I did this without him nearby. Work became a solitary endeavor for 5-year-old me. And decidedly blue-collar.
In 1957 (the year the Mackinac Bridge opened), we moved to a small house outside of town on Lansing Road. (It may have been US 27 at that time, but I’m unclear.) Dad bought it privately on a land contract from a local entrepreneur named Sam Combs at 4% interest. (Here’s a little joke: Sam Combs was bald.)
It was bit of a dump, but it fit my dad’s idea of working class, bootstraps philosophy. It was a two bedroom, one bath with a Michigan basement under some of it and a crawlspace under most of it. An old fuel oil-fired furnace labored in the attic of the one story structure to blow heat through ceiling vents, a system that insured perpetually cold feet. An outdoor fuel oil tank was troublesome when temps fell below about 25°. But there was a tiny 4 room rental on the property which sometimes had tenants. (Not always since there was no bathroom, the renters had to use the privy (look it up). A big old barn, unused for years and a couple of dilapidated out-building sheds full of rusty everything. It didn’t take long to find out what a tetanus shot was.
Dad was the master of this vast empire. And provided a ton of sweat equity. And about six tons of extra sweat. Remember, this was the house we had no television in for about 2 years (maybe 3), no air conditioning ever, no heat when the fuel oil froze in the fuel tank, and no water all one summer when the pump went out. But we still believed we were middle class. Mom took a job in Lansing with the Mental Health Department to prove it. She had taken a course in Speed Writing which apparently was a version of shorthand but the course was cheaper and the textbook was free. So in addition to “taking memos” she also got an education typing and transcribing case records. I promise more on that story later. It was a typical inside/outside division of labor at home. Everything outside was Dad’s responsibility. Everything inside was Mom’s responsibility except the things she told Dad to do.
I hope there are chances to tell the stories of each of these elements of this house in the future. There seems to be a lot to say about them, but the question here is: “What was my father like?” He felt responsible for this home, this family. He did what he could to ensure our safety and our success within the (often self-imposed) limits he was facing. He made as many good decisions as he could and my mother sometimes let him take credit for good decisions she made. He also made some bad decisions and Mom never took much responsibility for those. In those days I believe they conferred on questions of family policy often and sometimes they got it right and sometimes they got it wrong…just like most of us.
One event that has always stuck in my mind happened at a time that Dad was under more stress than he let any of us understand. This was at the end of his first and longest employment with Aluminum Extrusions. He had (with a little reluctant help by me) planted a too-large garden. I think he was pretending he was a farmer and I was the eldest (only) son. We were to tame this land together. He also was planning on this food to help with the inevitable layoffs in his job. Except I thought a garden was a lot of work for a little reward. (And I still believe that if the only thing you are after is vegetables. You work your ass off all summer to be able to pick a few tomatoes at exactly the moment the market bottoms out because of a glut in supply.)
But here was Dad, busting his ass tending the cucumbers, knowing that the rest of his life looked pretty dismal at this point. Always laboring for the man in his non-union shop, subject to annual layoffs, and beginning to feel the effects of a life-long addiction to alcohol. His kids were growing up with interests in things outside of Dad’s experience, his wife was working outside the house (the humiliation was real back then). And his oldest son was a horrible gardener.
So, anyway, I was bitching about being out in the hot sun and not inside reading a book. And then I bitched about how my sisters were going to eat these onions too but I didn’t see them out in the garden weeding and cultivating and watering. Pretty typical for a smart-ass 14 year old, but I stopped when I looked up and saw a look on his face I had never seen before. It was a little bit scary.
He started yelling. Dad wasn’t much for shouting, but he let it fly on this day. Some internal restraint had given way.
“When you grow up, you better get a job with your head…” He screamed this at me while pounding the vegetables with the garden rake in his hands. “Because you sure as shit aren’t worth a damn with your hands!” And each time he swung the rake down, his feet came up off the ground and his long, skinny legs bent at the knees. He looked for all the world like a cartoon of himself. “I ask you to offer something toward living here…” The rake banged down again. “the least you could do is give an hour of your time,” Bang the rake. The scene lasted about 90 seconds and then it stopped, very suddenly. He went silent, I turned away (weirdly embarrassed) and tended to a different part of the garden and we never spoke about it with each other after. Never speaking about it was typical in our family.
My father was many things, but he was not given to screaming very often. I cannot recall him doing that to me again (although we had a huge falling out early in my senior year in high school). But something changed in my father that day. I think he stopped trying as hard.
I also mark that day as the change in our relationship, the end of my childhood with my father, if you will. Our interaction after that was less friendly, more distant. That never changed until the day I came home and told him I had enlisted in the Marine Corps. That began a new relationship with him, adult-to-adult, sort of.
I want to make it clear that I loved my father, but often it was in spite of himself.
[2]
Of Resolutions and Obstacles
If it is depression,
it comes and goes.
You know that.
Sometimes, like a cat,
it takes its own sweet time leaving.
It glides slowly out the door,
threatening to run back inside every step or two.
It changes its mind and returns
And reverses again.
It seems particularly fickle
when there is rain or snow.
[1]
May 2 Story
May 2 Story
Once upon a time, I started a WORDLE puzzle with the answer to the previous puzzle. It threw me for such a loop that I failed to solve it, thus, seven words for this WORDLE poem.
FORGO
ROMAN
ORALS
SAVOR
SHORE
SCORN
(STORY)
I had to FORGO my ROMAN holiday.
I had failed my ORALS.
The depression forbid me to SAVOR the flavor of fruits,
The smell of the SHORE—
All but the SCORN of my professors.
The scorn of my cohorts is a different STORY entirely.