They are starting to go now, Like the rockstars; A bunch checked out early, Not exactly a poets’ 27 Club But a spike on the graph, for sure. And now, we are starting to drop. Turds from an elephant’s ass Is the only metaphor that comes to me.
This week, another one. Last week too. It doesn’t seem to matter, The fire and the ice both end. Wind has forgotten how to blow In Chicago and everywhere. I wonder at next. I look at the actuary’s lists. I know I’m on there somewhere. Probably pretty soon.
I love who is still in this tent With me. Let me say that deliberately. But the sense of this era seems to be a growing choice Between mourning Or being mourned.
If you are reading this And you are a poet, Let it serve as a cautionary tale.
If you are reading this And you are not a poet, I take this moment to bid you a conscious adieu. Maybe read this poem again in a few years Or next week.
All I have learned of death, I learned from a dog When I was 14.
His name was Nic Like St. Nicolas Since he came to us on Christmas.
He was either a runaway Or a drop off. Skinny, frostbitten ears But polite and smart.
It took a year to learn him, His tricks, His ways.
He loved winter And hunting rabbits. If it is really true all dogs go to heaven, He’s certainly hunting rabbits As I write this. (I don’t know what that says for Rabbit Heaven.)
It was snowing, I had been given new snow-shoveling duties Near the highway.
Nic saw me shoulder the shovel And head out the driveway. I can’t really blame him for thinking About rabbits.
But the guy who was driving that Low Pontiac, And who didn’t stop When I chased Nic, Sliding on his back down the highway, Him I still blame.
I got to Nic and picked him up in my arms To bring him back into the house, But it hurt him too bad. He mouthed my hand But did not bite me in his pain. And so I lay him in the snow Where he finished. I kept the flakes from falling on his face. It was the only thing I could do.
I dozed in front of the boob tube. Best sleep I get anymore. I’d been watching a documentary About wrangling, fighting and war.
I dreamed I was on my deathbed And my lapsed Catholic wife Prayed that the Catholic God Would forgive my non-Catholic life.
In a twinkling it was over And I was in the sky with Jesus and Mary and a million saints But I could not figure why.
And there were the Pearly Gates Where no one stood alert. But everyone was speaking Latin And wearing long black skirts.
“There has to be an error,” I offered to those around But Hitler’s Pope, Pius Twelve said “You were lost but now you’re found.”
“I don’t want to be found, sir. I’m not a Catholic, you see.” “It happens sometimes,” he said with a shrug. “Administrative error,” said he.
But I’m not of the laity. And I never knew a deacon. Only one Priest in all my life. Why I’m a Catholic cretin!
No bishops or archbishops. I have no clue about their miters. And Cardinals all dressed in red Are only birds, not holy fighters.
No matter, said the evil Pope. If I get in, so do you. Just consider it affirmative action. Now take your seat in the pew.
But I don’t know the songs! Or when to stand or kneel. I don’t know how to pray and I don’t know how to feel.
I don’t know why there’s incense And I don’t know why there’s gold I don’t know why I can’t talk to God Instead of a priest through that little hole.
And guilt over killing Christ… I didn’t do the deed. Call and response makes no sense In a time when we all can read.
It took almost three centuries To sort the divine hullabaloo. And just when the ordeal seemed hopeless Some habited nun fixed the SNAFU.
I woke from my nap with a gasp. A preacher was on the TV, Asking me to send him money. A downpayment on eternity.
Forgive me, sir, if I pass this chance To give to the Creator of night and day, ‘Cuz I don’t want to go to Catholic heaven. Just let me Requiescat in pace.
No person ever loved me more than my Grandmother. And I don’t mean that as something that lifts me up. I mean that as a testament to the goodness of Grandma.
The depth of my love of steamed eggs, or alternatively, custard pie Are mere substitutions for the depth of my love for Grandma. But Grandma died while I was in Marine Corps boot camp in 1969.
Her seventh heart attack did her in and it mattered not to the Corps How much I loved my Grandmother or how much she loved me; I was not permitted leave during boot camp for this or any reason.
After, Grandma came to me in boot camp, though she didn’t bring custard pie. Something prohibited me from climbing the rope on the obstacle course. Despite my intent and will, I could climb up only about ten feet and stall.
And there hung I, between Heaven and the drill instructor, Who promised unpleasant consequences if I came down before I went up. Long minutes hanging in limbo before succumbing to the DI’s promise.
Eventually, through a trick of faith and some personal instruction, My feet and hands learned the trick. I became more of a man and more of a Marine. But the truth of my heart was, I asked Grandma to help and she did.
Long after the Marine Corps, after the war, I fell asleep driving home alone one night. Of course, I don’t know if I slept a moment or a minute, I was jolted awake by a strike (more than a nudge, less than a slap) in the small of my back.
Awake, aimed exactly for a cement bridge abutment on the freeway, Probably about a half-second before impact, Grandma’s dusting powder scent filled the air in the car.
There is more to say here but I will leave it between Grandma and me.
With age, things change: Skin thins as if by evaporation. Gums recede. Color leaves the hair. The skeleton shrinks In size and density. We are gradually less.
At the end, we cease, As far as we know, In this corporeal world. We set aside our bodies, Like last year’s model. We set aside physical interaction.
But that is all obfuscation. It is a trick of language to say We did something And then say We don’t do something.
For the dead, there is still so much to do.
There is the going away, Likened to some journey that changes us. And if we go away, We must be going to some place. Another place, not like this place. For what good is an afterlife, If it is merely another iteration of this life? Why go to all the bother of aging and dying Just to wake up in another here?
There are always tests to see if the dead are worthy.
Ancient Egyptians had Ma’at, Simultaneously Justice and Truth, And Goddess. If the heart of the dead Balanced on a scale against her feather, The dead could pass to the afterlife. If it did not, the dead received utter obliteration. It was all about the state of the heart.
Hebrews, Christians and Muslims all measure the good of the heart And promise obliteration if there is not enough.
Today, as a cultural species, we don’t need religion to practice the concept of obliteration. We begin before physical death. The soon-to-die begin to lose autonomy. It happens as if by evaporation, The value of a full person evaporates. We take their positions. We take their possessions. We take their permissions. Once they actually cease, There is so little change in the world. It’s like they were always a memory.
Death took my grandson Two weeks before his birth.
I flail, seeking to understand, Not loss, For the poet knows all there is to know of loss (if he’s paying attention). Rather to understand All that was given.
Is the mother of a dead child Enriched by her new insight?
Is the father of a dead child Prepared to comfort his wife While pretending his own loss Is smaller?
Is a sister or a brother, Bludgeoned into silence, Incapable of understanding? Of doing anything that might heal?
All the women grieve their own losses. And reconceive the trove of their losses in another’s. It is the unfathomable lot of women To bear the reminder In the wonder of what might have been.
It is the duty of the old poet To teach about living a life of poetry To the young poets.
First, find a young poet. There aren’t very many, Although there are thousands Who stand up on stages And hurl swear words. Some of it is actually poetic.
But a poet soon learns that rage Is a shallow pool. It feels great, All fire and invective, But those poems are largely disposable.
Hate, likewise, has its appeal. And, likewise, often has a short shelf life.
But the lasting poems Dig through the anger of a life And the living. It excavates all the hate And drills down into the pain; The despair.
There is lots of hate, Probably more anger. And those are fine stones Upon which to whet your craft.
Poetry craves, Not just the poetic utterance, But the poetic silence as well. Without the silence, It is the clacking of the keyboard. Without Death’s utter refusal To answer the questions, There is no need for poems.
In life, my mother said she longed to travel. So when she died Her children took on the task Of delivering her ashes to random and various locations, Widespread as possible.
I traveled on an airplane With some of Mother’s ashes In a zip-lock plastic bag In my hip pocket. I was conscious of her presence As I sat in that narrow seat.
And I set them free In the shadow of Haystack Rock At Cannon Beach.
She entered the sea And turned it milky gray On the first incoming wave, Then drifted out a few feet And returned wider on the next wave. And then, like some kind of ethereal sea bass Might flip its tail, She splashed at me and was gone.
As time erodes, The past fades. All our deeds fade. Memory goes gauzey. Even morning is translucent by eve. And by death, We are making no new fading tapestries. The image, The tone, The scent, The taste, The feel Of fading dust Is left but shortly.
The dead fade too. Their countenance, Their deeds. Swept away like detritus: A tie clasp, A collar button, A porcelain thimble. By midnight they can barely be seen at all.
This old body has lost its equilibrium. I stumble around here, Heel rolling over the toe, Like an old drunk When I’m sober as a pastor… MORE sober than that one pastor. There are only a couple of things it could be. My body doesn’t function like a well-trained athlete any longer, or I’m hopelessly in love with you and my brain is blindly following my heart to be near/toward/around you.
I’m going with number 2. I’m not waiting for Door Number 3. Come stagger with me, my love.